Title Creator Date Era City Countrysort icon Emotional Sum (Sense of Life or emotional World View) Theme
La Gomena (Towing a Boat) Painter: Ettore Tito 1909 1900s Italy

There is great effort in life, and a woman can be the master of it. This painting is a curious combination of romantic heroism and 19th century genre naturalism. It has a visual dynamism and dramatic content that is strongly romantic, yet the subject is the prosaic task of pulling a boat out of the water.

The will and the power of a woman. Implacable determination.

Real Chiesa di San Lorenzo (Royal Church of St. Lawrence) Architect: Guarino Guarini 1680 1600s Torino (Turin) Italy

The world is perfected. The joy of seeing complexity that is simplicity, i.e., that the rich complex vision arises from simple elements which because of their arrangement provide layers of visual thrills.

Complex, soaring geometric order.

Rashomon Director: Akira Kurosawa 1950 1931-1950 Japan

The world is terrible and full of disasters and mankind is awful and pathetic.

Objectivity is a myth -- everyone sees a different reality, a different "story".

Sports March Singing Group: Soviet Army Chorus and Band unknown mid-20th century 1900s Russia

Happiness triumphs.

The power of joy to motivate action.

Othello: the Moor of Venice Playwright: William Shakespeare 1603 1600s Stratford-on-Avon United Kingdom

Malevolence and horrible tragedy is unrelieved.  Evil is potent.

A great man can be gullible and controlled by an evil character.  Or, an evil character can have potency in the world, because of the weakness of a good man.

Trustee from the Toolroom Author: Nevil Shute 1960 United Kingdom

A feeling of gentleness, kindness and generosity towards good people in the world.

The importance of pursuing one's personal values.

Chocolat Director: Lasse Hallstrom 2000 United Kingdom

Pleasure is good; religion and conventional thinking is bad.

Follow your dream and disregard convention.

Design for Living Writer: Noel Coward 1932 1900s United Kingdom

Life can be giddy and bright. Facing up to one's anti-conventional values is important. Conventional morality must be questioned if it causes suffering and conflict.

You should follow your deepest values and accept them no matter how unconventional the outcome.

A rare combination of the wittiest, lightest of Noel Coward's style, along with deeper themes of romantic love, proper morality and how should one live.

Billy Elliot Director: Stephen Daldry 2000 1991-2010 United Kingdom

Life is dirty but one can clean up.

Go after what you love.

Chariots of Fire Director: Hugh Hudson 1981 1971-1990 United Kingdom

A complete feeling of openness of the world to greatness of your own choosing.

Life is achievement.

Rob Roy Director: Michael Caton-Jones 1995 1991-2010 United Kingdom

Life is a struggle. The life you make for yourself can be difficult, but living it with strength and morality is the way to live. Happiness is possible in romance.

Heroism in everyday life leads to heroism writ large. A man works hard to lead his life and those of his extended clan in an honorable, productive, honest way. This is the everyday heroism. But dishonorable, evil men seek to steal from him and ruin him. This leads to a life of larger-than-life heroism to vanquish his mortal, and stronger enemies.

Love Actually Director and Screenwriter: Richard Curtis 2003 1991-2010 United Kingdom

Romantic love, family love, filial love, and the love of friendship are of central importance to human existence, and are possible to achieve.

Wonderful experiences of love are found in many forms and places.

Greystoke Director: Hugh Hudson 1984 1971-1990 United Kingdom

Life is Loss -- life is grim and culture is grim and the jungle is grim. All is grim.

The other important feature of the film emotionally is that Tarzan has been crippled by his circumstances of being brought up in the jungle -- he cannot live as a man, so the great tragedy of the story is that he has to return to the jungle, which is below primitive -- it is an isolated hell in which death is at every corner, and at best the companionship of apes. Given that the story partly portrays civilized men as brutes who relish killing animals, perhaps the emotional intent is to make the choice to return to the jungle as positive, but for this reviewer it is unutterably tragic and ugly.

Loss, Loss, Loss. Man as metaphysically alien from human culture.

Landfall Shute, Nevil: 1940 1900 - 1950 United Kingdom

Heroes and Heroines are self-made, by anyone at any level of intelligence who seriously pursues what is important in their lives.

Truth will triumph -- with perseverance.

Of Human Bondage Maugham, W. Somerset: 1915 1900 - 1950 United Kingdom

Life is a fearful gray spread of actions and in-actions without genuine values. We are all deformed in mind or spirit and should accept convention as demanded by those around us.

Man's life is outside his control. Conventionality is the final ideal.

Brief Encounter Screenwriter: Noel Coward 1945 1931-1950 United Kingdom

Passionate love. Tragic choices.

High romance is possible. Such love is unlikely to survive. This film manages to embrace two contradictory themes, leading to a major bittersweet outcome.

Johnson Wax Building Architect: Frank Lloyd Wright 1939 1900 - 1950 Racine United States

Day to day life can be exalted and pleasurable.

To Work should be a condition of grandeur and joy.

Etudes Choreographer: Harold Lander 1948 Pre-1950 Ballet/Dance New York United States

Thrilling pleasure at beautiful movement and great success at developing the best within you.

Hard work results in great achievement in life -- and that results in beauty and excitement in life.

Dangerous Beauty Director: Marshall Herskovitz 1998 United States

The world is a horrible split of conventional marital morality vs. honest but promiscuous morality. The way to live requires one sacrifice one's body for one's soul.

  1. The importance of accepting your own rules for living, your own morality.
  2. The grim metaphysical conflict for a Venetian woman of being a slave to a husband or a free woman requiring sexual work.
Die Hard Director: John McTiernan 1988 July 15 United States

The way to beat evil is to give no quarter, no compromise. Life is hard, but fighting for the right is rewarded.

Giving up in life is not an option.

Romeo + Juliet Director: Baz Luhrmann 1996 1991-2010 United States

Tragedy is central to life.

Romantic Love is doomed and we don't control our own lives.

Real Adventure, The Author: Henry Kitchell Webster 1915 United States

Life is wonderful as long as you realize that life has to be earned the hard way.

Creating your self is the only way to live.

Atlas Shrugged Author: Ayn Rand 1957 1951 - 2000 New York United States

Life can be good; Men are competent to live happily; The world can be a shining, happy place to exist, if one is free. But novel also presents a dark, dystopian world to help make real that positive view.

The crucial value of the human mind.

Blue Steps of Naumkeag Landscape Designer: Fletcher Steele 1937-39 1900 - 1950 Stockbridge, MA United States

elegance and grace

The man-made enhances nature -- it is what makes nature beautiful

Wall Street Director: Oliver Stone 1987 1971-1990 United States

There are bad people in power who use ordinary people as pawns in their endless pursuit of money. Those who are not ruthless are sheep to be slaughtered by the rich and powerful. Greed is bad.

Financiers are amoral money-grubbing backstabbers, i.e., desire for money corrupts