Title Creator Datesort icon Era City Country Emotional Sum (Sense of Life or emotional World View) Theme
Pieta Sculptor: Michelangelo Buonarotti 1500 1500s Rome Italy

Life is acceptance of pain. Resignation in the face of tragedy.

Resignation and sorrow for a great personal loss.

David Sculptor: Michelangelo Buonarotti 1504 1500s Florence Italy

Man is a strong, indomitable creature who has the intelligence to overcome terrible odds.

[requires assumption of some context of this work -- not a "cold" introduction to it]: A man able to face a daunting task, with tremulous calm and determination. This is the depiction of the David/Goliath story of the Bible in which David takes on the much more formidable Goliath and wins.

Chariot of Apollo Sculptor: Jean Baptiste (1630-1700) Tuby 1668-1670 1600s Versailles France

The world has thrilling powerful men of action.  There are no limits to what can be achieved.

Elegant, physical power.  The fantasy ability to fly through water and air with grace and ease.

Three Graces Sculptor: Antonio Canova 1814 1800s Italy

The female human form is beautiful, graceful, ideal.

Quiet repose and sisterly love. The piece exudes a quiet elegance and peacefulness amidst the complex three-dimensional composition. The inclusion of "sisterly love" is less certain, except that taking into account the mythological background of the piece. It can be argued that one should not take that into account, so perhaps that should not formally be included in the theme.

Rape of Polyxena, The Sculptor: Pio Fedi 1866 1800s Florence Italy

Strength and complex beauty are central. Vitality, passion and action are hallmarks of this work.

Life is complex strife, entwined with strong god-like characters.

Laocoon (Laocoön and His Sons) Sculptor: Agesander 1st century BCE to 1st century CE 500 BCE - 1 CE Rome Italy

Life is a desperate, agonizing struggle.

The heroic but agonizing defeat of Men. This sculpture certainly represents at the same time the heroic nature of men but cast into an impossible situation that can only be tragic.

Niobe Sculptor: unknown c. 200 BC Rome Italy

Human action is beautiful.

Life is movement.

La Grande Nevrose Loysel, Jacques: c.1896 1800s Paris France

The dynamic female body is beautiful and exciting. Although it may not explicitly suggest it, the nude and its tense position could be felt as erotic.

An animated female body is a vessel of perfection.