| Creator | Title | Emotional Sum (Sense of Life or emotional World View) | Theme |
|---|---|---|---|
| Alexander, John: | Trees |
A sense of the world as dynamic and strong. |
Nature is wild and dynamic. |
| Architect: Louis Sullivan | National Farmers' Bank |
Being able to breath freely -- expansively, and feeling that there are no limits to what man can do. |
The world is expansively, infinitely rich. |
| Director: Rob Reiner | A Few Good Men |
Justice should be fought for, needs to be fought for and can be fragile. |
Commitment to a moral code is central to a good man's life. |
| Painter: Domenico Ghirlandaio | Old Man with a Young Boy |
Human companionship or family closeness is real. |
Quiet familial love. (A grandfather (perhaps) gazing upon a grandson, and vice versa, in a clear moment of happy communion.) |
| Author: Phyllis Brett Young | Psyche |
Optimistic, Hopeful, even under terrible circumstances. |
We are beings of self-made soul |
| Shute, Nevil: | Landfall |
Heroes and Heroines are self-made, by anyone at any level of intelligence who seriously pursues what is important in their lives. |
Truth will triumph -- with perseverance. |
| Director: Fredi Murer | Vitus |
If you have the will, you can find the way to live the way you want. |
Living your life your own way is the only right way. |
| Choreographer: Harold Lander | Etudes |
Thrilling pleasure at beautiful movement and great success at developing the best within you. |
Hard work results in great achievement in life -- and that results in beauty and excitement in life. |
| Painter: Ettore Tito | La Gomena (Towing a Boat) |
There is great effort in life, and a woman can be the master of it. This painting is a curious combination of romantic heroism and 19th century genre naturalism. It has a visual dynamism and dramatic content that is strongly romantic, yet the subject is the prosaic task of pulling a boat out of the water. |
The will and the power of a woman. Implacable determination. |
| Sculptor: unknown | Niobe |
Human action is beautiful. |
Life is movement. |
| Dancers: Torvill and Dean | Bolero |
Harmony, grace exist. |
Two people as one. |
| De Felitta, Raymond: | City Island |
Anxiety and pain from all the lies and mistaken motives. Catharsis from the climax, leading to feelings of wanting to be truthful in life! |
Lying is not the way to live. |
| Composer: Lerner and Loewe | Camelot |
One must attempt to live by values, even though virtue is powerless and hopeless. |
Camelot: a medieval place of goodness and justice, and its inevitable failure. |
| Screenwriter: Noel Coward | Brief Encounter |
Passionate love. Tragic choices. |
High romance is possible. Such love is unlikely to survive. This film manages to embrace two contradictory themes, leading to a major bittersweet outcome. |
| Rodin, Auguste: | Shade, The |
Life is a gruesome trial. There is no hope. |
The world destroys man. (Some unknown evil force is destroying this young strong man.) Given that the sculpture is titled as a "Shade" and is related to the Group sculpture "Gates of Hell", one can presume the evil is some unnamed condition that can overpower life and cause destruction of the good. |
| Myron?: | Riace Bronze A |
Man is strong and indomitable |
Intelligence, Pride, Strength = Man |
| Miron - Parish: | Tzena Tzena Tzena |
Joyous celebration |
Joyous celebration |
| Author: Nevil Shute | Trustee from the Toolroom |
A feeling of gentleness, kindness and generosity towards good people in the world. |
The importance of pursuing one's personal values. |
| Author: Nevil Shute | Far Country, The |
Life can be bright, happy and successful, but hard decisions must be faced and dealt with. |
A good and happy life is made up of self-directed actions, self-chosen goals. A less important theme is: |
| Screenwriter: Chopra Vidhu Vinod | 3 Idiots |
Life can be fun and productive and exciting. As is true in some other Bollywood features, this story and the ideas behind it about pursuing the good life, has an honesty and clarity and benevolence that is not part of the U.S. movie scene. |
Be what you want to be; follow your passion in life |
| Composer: Franz Lehar | Merry Widow (Die Lustige Witwe) |
Love brings gaiety and joy to life. |
Love can be gay and tender, solemn and lighthearted, painful and joyous. |
| Architect: Frank Lloyd Wright | Robie House |
The world is open and has sweeping, unending possibilities. |
The essence of a house as shelter, and providing a sense of strength and privacy. That is, a structure that exudes strength through its massive cantilever and massive brick and stone forms, along with its big overhangs sheltering the windows to create a sense of privacy and enclosure, in its urban situation. |
| Director: Oliver Stone | Wall Street |
There are bad people in power who use ordinary people as pawns in their endless pursuit of money. Those who are not ruthless are sheep to be slaughtered by the rich and powerful. Greed is bad. |
Financiers are amoral money-grubbing backstabbers, i.e., desire for money corrupts |
| Author: Emma Lazarus | The New Colossus |
Benevolent celebration of liberty as a beacon to a troubled world. |
A marvelous land of liberty offers welcome to the oppressed of the world. |
| Director: Hugh Hudson | Greystoke |
Life is Loss -- life is grim and culture is grim and the jungle is grim. All is grim. The other important feature of the film emotionally is that Tarzan has been crippled by his circumstances of being brought up in the jungle -- he cannot live as a man, so the great tragedy of the story is that he has to return to the jungle, which is below primitive -- it is an isolated hell in which death is at every corner, and at best the companionship of apes. Given that the story partly portrays civilized men as brutes who relish killing animals, perhaps the emotional intent is to make the choice to return to the jungle as positive, but for this reviewer it is unutterably tragic and ugly. |
Loss, Loss, Loss. Man as metaphysically alien from human culture. |