| Title |
Creator |
Date | Era | City | Country | Emotional Sum (Sense of Life or emotional World View) | Theme | |
|---|---|---|---|---|---|---|---|---|
| Design for Living | Writer: Noel Coward | 1932 | 1900s | United Kingdom |
Life can be giddy and bright. Facing up to one's anti-conventional values is important. Conventional morality must be questioned if it causes suffering and conflict. |
You should follow your deepest values and accept them no matter how unconventional the outcome. A rare combination of the wittiest, lightest of Noel Coward's style, along with deeper themes of romantic love, proper morality and how should one live. |
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| Hyacinths to feed thy soul | White, James Terry: | 1911c | 1900s | United States |
Hopeful. Even in poverty one can have beauty. |
Beauty is a form of sustenance |
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| Chocolate Pitcher and Butter Dish | Villeroy & Boch: | 1930 | Germany |
Friendly warmth (arising from the simple graceful lines, and the unadorned simplicity of the colors without ornament) |
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| Euphronios Krater aka Sarpedon Krater | Vase Painter: Euphronios | 515 BC | Greece |
Exquisitely beautiful hardship. |
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| Brass Bowl, The | Vance, Louis Joseph: | 1907 | 1900 - 1950 | United States |
The world is a delightful place. Good things happen to the deserving. |
Life as a gay, lighthearted adventure. |
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| Sports March | Singing Group: Soviet Army Chorus and Band | unknown mid-20th century | 1900s | Russia |
Happiness triumphs. |
The power of joy to motivate action. |
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| Landfall | Shute, Nevil: | 1940 | 1900 - 1950 | United Kingdom |
Heroes and Heroines are self-made, by anyone at any level of intelligence who seriously pursues what is important in their lives. |
Truth will triumph -- with perseverance. |
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| Niobe | Sculptor: unknown | c. 200 BC | Rome | Italy |
Human action is beautiful. |
Life is movement. |
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| Chariot of Apollo | Sculptor: Jean Baptiste (1630-1700) Tuby | 1668-1670 | 1600s | Versailles | France |
The world has thrilling powerful men of action. There are no limits to what can be achieved. |
Elegant, physical power. The fantasy ability to fly through water and air with grace and ease. |
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| Diana | Sculptor: Auguste Saint-Gaudens | 1892 | 1900s | New York | United States |
Serenity in action. But not a strong world view in any case, quite placid. |
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| Rape of Polyxena, The | Sculptor: Pio Fedi | 1866 | 1800s |
Strength and complex beauty are central. Vitality, passion and action are hallmarks of this work. |
Life is complex strife, entwined with strong god-like characters. |
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| Three Graces | Sculptor: Antonio Canova | 1814 | 1800s | Italy |
The female human form is beautiful, graceful, ideal. |
Quiet repose and sisterly love. The piece exudes a quiet elegance and peacefulness amidst the complex three-dimensional composition. The inclusion of "sisterly love" is less certain, except that taking into account the mythological background of the piece. It can be argued that one should not take that into account, so perhaps that should not formally be included in the theme. |
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| David | Sculptor: Michelangelo Buonarotti | 1504 | 1500s | Florence | Italy |
Man is a strong, indomitable creature who has the intelligence to overcome terrible odds. |
[requires assumption of some context of this work -- not a "cold" introduction to it]: A man able to face a daunting task, with tremulous calm and determination. This is the depiction of the David/Goliath story of the Bible in which David takes on the much more formidable Goliath and wins. |
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| Pieta | Sculptor: Michelangelo Buonarotti | 1500 | 1500s |
Resignation in the face of tragedy. |
Recognition and acceptance of a great personal loss. |
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| Laocoon (Laocoön and His Sons) | Sculptor: Agesander | 1st century BCE to 1st century CE | 500 BCE - 1 CE | Rome | Italy |
Life is a desperate, agonizing struggle. |
The heroic but agonizing defeat of Men. This sculpture certainly represents at the same time the heroic nature of men but cast into an impossible situation that can only be tragic. |
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| Brief Encounter | Screenwriter: Noel Coward | 1945 | 1931-1950 | United Kingdom |
Passionate love. Tragic choices. |
High romance is possible. Such love is unlikely to survive. This film manages to embrace two contradictory themes, leading to a major bittersweet outcome. |
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| 3 Idiots | Screenwriter: Chopra Vidhu Vinod | 2009 | 1991-2010 | India |
Life can be fun and productive and exciting. As is true in some other Bollywood features, this story and the ideas behind it about pursuing the good life, has an honesty and clarity and benevolence that is not part of the U.S. movie scene. |
Be what you want to be; follow your passion in life |
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| Octopus | Schaefer, Taf Lebel: | 2005 |
Playful. |
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| Shade, The | Rodin, Auguste: | 1880-1904 | 1900s | Paris | France |
Life is a gruesome trial. There is no hope. |
The world destroys man. (Some unknown evil force is destroying this young strong man.) Given that the sculpture is titled as a "Shade" and is related to the Group sculpture "Gates of Hell", one can presume the evil is some unnamed condition that can overpower life and cause destruction of the good. |
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| Anthem | Rand, Ayn: | 1938, revised 1946 | 1900 - 1950 |
The book starts out psychologically dark and disorienting because of the protagonist struggling with the radically collectivist world he was born into. But what shows even in the early pages, and grows to the climax is the triumphant struggle of a rare few who break free of the yoke of total mind control and become free to live a life as a conceptual human and rediscover what it means to be an individual. Thrilling and emotionally satisfying (unless the reader is a committed determinist.) |
Ego and using one's individual mind is the core of being human. |
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| Othello: the Moor of Venice | Playwright: William Shakespeare | 1603 | 1600s | Stratford-on-Avon | United Kingdom |
Malevolence and horrible tragedy is unrelieved. Evil is potent. |
A great man can be gullible and controlled by an evil character. Or, an evil character can have potency in the world, because of the weakness of a good man. |
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| Much Ado About Nothing | Playwright: William Shakespeare | 1993 | 1991-2010 |
Sweetness and light and beauty are what the world is made of. |
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| Cyrano de Bergerac | Playwright: Edmond Rostand | 1897 | 1900s | France |
Life can be exciting. Life can be grand, literally. There is also some great sadness about consummated love, since it is portrayed as unreachable. |
The importance of independence and independent thought. Compromise is deadly to one's soul. Sub-themes: a) Doubt of one's goodness because of an incidental fact (physical feature) is terribly damaging and tragic. b) Helping someone by faking reality is damaging and can come to no good. |
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| Pirelli Calendar Diver | Photographer: Uwe Ommer | 1984 | Italy |
Women can be strong, dynamic and unconsciously beautiful. |
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| Wisdom and Strength | Painter: Paolo Veronese | 1580c | 1500s | Venice? | Italy |
Sumptuousness is good, and the human form is good. |
