Title | Creator | Date | Era | City | Country | Emotional Sum (Sense of Life or emotional World View) | Theme | |
---|---|---|---|---|---|---|---|---|
Othello: the Moor of Venice | Playwright: Shakespeare, William | 1603 | 1600s | Malevolence and horrible tragedy is unrelieved. Evil is potent. |
A great man can be gullible and controlled by an evil character. Or, an evil character can have potency in the world, because of the weakness of a good man.<br> |
|||
Design for Living | Writer: Coward, Noel | 1932 | 1900s | Life can be giddy and bright. Facing up to one's anti-conventional values is important. Conventional morality must be questioned if it causes suffering and conflict. |
You should follow your deepest values and accept them no matter how unconventional the outcome. A rare combination of the wittiest, lightest of Noel Coward's style, along with deeper themes of romantic love, proper morality and how should one live. |
|||
Cyrano de Bergerac | Playwright: Rostand, Edmond | 1897 | 1900s | United States | Life can be exciting. Life can be grand, literally. There is also some great sadness about consummated love, since it is portrayed as unreachable. |
The importance of independence and independent thought. Compromise is deadly to one's soul. |