| Title | Creator | Date | Era | City |
Country |
Emotional Sum (Sense of Life or emotional World View) | Theme | |
|---|---|---|---|---|---|---|---|---|
| Camelot | Composer: Lerner and Loewe | 1960 | 1951-2000 | New York | United States |
One must attempt to live by values, even though virtue is powerless and hopeless. |
Camelot: a medieval place of goodness and justice, and its inevitable failure. |
|
| Boulevard of Broken Dreams | Composer: Warren and Dubin | 1933-34 | 1900s | United States |
Weariness & Sadness |
Life is loss of dreams and sadness |
||
| King in Khaki, A | Author: Henry Kitchell Webster | 1909 | 1900 - 1950 | United States |
Honesty is a noble and practical way of life. |
Business acumen produces both material wealth and moral right. The success of the entrepreneur in this story, along with his relation to all his staff and secondary and tertiary folks on the island who work for him -- makes him into a "king" based on important human relations and the rightness of his decisions that result in a successful business enterprise. A subsidiary theme might be termed the power of morality over physical power or economic "power". |
||
| Attila (live performance) | Composer: Giuseppe Verdi | 2010 03 03 | 1851-1900 | New York | United States |
Life is a mix of strength, heroism, romantic passion. The work is a long complex opera, so it has many other lyrical emotions as part of it, but this covers the basic sense of life. |
Loving a heroic woman leads to death |
|
| East of Eden | Author: John Steinbeck | 1952 | 1951 - 2000 | United States |
Life is filled with great and important choices. |
The battle between good and evil, guilt and innocence. Takes the position that we are influenced by many things, but ultimately we have free will. |
||
| Wall-E | Director: Andrew Stanton | 2008 | 1991-2010 | Hollywood | United States |
The world is garbage, and more garbage and humans have destroyed the earth, because of their wanton consumerism. |
Mankind is a blight on the universe, and only cute robots (as opposed to evil robots) can save the earth from human degradation. |
|
| Comedia | Painter: Thomas Wilmer Dewing | 1892-4c | 1800s | Philadelphia | United States |
Life is sumptuous and beautiful and alive. |
Feminine vivacity and gaiety |
|
| Brass Bowl, The | Vance, Louis Joseph: | 1907 | 1900 - 1950 | United States |
The world is a delightful place. Good things happen to the deserving. |
Life as a gay, lighthearted adventure. |
||
| Fame | Director: Alan Parker | 1980 | 1971-1990 | New York | United States |
Life is hard, but you can succeed, and it is worth it and exhilarating. |
Go after your heart's desire. |
|
| Bolero | Dancers: Torvill and Dean | 1994 | 1990-2009 | United States |
Harmony, grace exist. |
Two people as one. |
||
| Head of a Bearded Man | Domenichino: | 1625c | 1600s | New York | United States |
Pensive, worried, detached qualities of humanity |
Worry is the way of the world. |
|
| Ruggles of Red Gap | Director: Leo McCarey | 1935 | 1931-1950 | United States |
Happiness and fulfillment is in yourself. |
Personal declaration of independence from servitude |
||
| National Farmers' Bank | Architect: Louis Sullivan | 1907 | 1900 - 1950 | Owatonna MN | United States |
Being able to breath freely -- expansively, and feeling that there are no limits to what man can do. |
The world is expansively, infinitely rich. |
|
| The New Colossus | Author: Emma Lazarus | 1883 | 1800s | New York, NY | United States |
Benevolent celebration of liberty as a beacon to a troubled world. |
A marvelous land of liberty offers welcome to the oppressed of the world. |
|
| Hyacinths to feed thy soul | White, James Terry: | 1911c | 1900s | United States |
Hopeful. Even in poverty one can have beauty. |
Beauty is a form of sustenance |
||
| High Noon | Director: Fred Zinnemann | 1952 | 1951-1970 | United States |
There is palpable evil in the world. There is heroism in the face of evil in the world. The movie is full of fear and foreboding and betrayal. |
Civil Society is the ideal, and worth fighting for. Doing what is right is the right way to live. Don't let the evil bastards win. The theme is expressed repeatedly in the movie via the contrast of the Marshall who grimly faces the need to do what he lives for, despite the death facing him, vs. the mealy mouthed town folk, many of which who won't fight for their civil society, and vs. the deputy marshall who portrays the sellout who will give into evil force in order to "get along". |
||
| Godfather | Director: Coppola Francis Ford | 1972 | 1971-1990 | United States |
Life demands death; life is a horror of killing and retribution. Life is tragedy and malevolence |
Behind beauty and success lies corruption and death. |
||
| A Few Good Men | Director: Rob Reiner | 1992 | 1991-2010 | United States |
Justice should be fought for, needs to be fought for and can be fragile. |
Commitment to a moral code is central to a good man's life. |
||
| Two Family House | Director: Raymond De Felitta | 2000 | 1991-2010 | New York | United States |
Feelings of benevolence and optimism about life. Happiness comes from making choices for your own good. |
Going after what you want in life; Don't be stopped by conventional standards of the people around you. It takes courage to be selfish. |
|
| City Island | De Felitta, Raymond: | 2009 | 1991-2010 | New York | United States |
Anxiety and pain from all the lies and mistaken motives. Catharsis from the climax, leading to feelings of wanting to be truthful in life! |
Lying is not the way to live. |
|
| Trees | Alexander, John: | 1899 | 1900s | Olathe | United States |
A sense of the world as dynamic and strong. |
Nature is wild and dynamic. |
|
| Repose | Painter: John White Alexander | 1895 | 1900s | New York | United States |
Life is extravagant and lush and sensual. |
Feminine Sensuality is a main theme, though one can argue that a related (equal theme or sub-theme) is: The Lushness of the Material World. The dramatic draped womanly figure pressing against a divan, whose figure is clearly oulined, shares the visual dominance of the painting along with the magnificent sweeps of her dress and the giant pillows, the massive backrest, and even the strong elements of the floor material and the golden back wall. All together a remarkable composition. |
|
| Her Face to the Wind | Painter: William Hosner | 2006 | 2000s | Traverse City, Michigan | United States |
One gets the feeling that the young woman is able to stand strong in the world, with panache and beauty all at once. |
Facing life in a fresh, strong, vivacious way. |
|
| Robie House | Architect: Frank Lloyd Wright | 1910 | 1900 - 1950 | Chicago, Illinois | United States |
The world is open and has sweeping, unending possibilities. |
The essence of a house as shelter, and providing a sense of strength and privacy. That is, a structure that exudes strength through its massive cantilever and massive brick and stone forms, along with its big overhangs sheltering the windows to create a sense of privacy and enclosure, in its urban situation. |
|
| Flying Fish | Dancers: Torvill and Dean | c.1995 (verify) | 1990-2009 | NY NY | United States |
A heightened sense that Life is fantastically unbounded by daily cares. Life is imbued with unlimited potential and ease of movement. |
Life is light and fluid. |
