| Title | Creator | Date | Era | City | Country | Emotional Sum (Sense of Life or emotional World View) | Theme | |
|---|---|---|---|---|---|---|---|---|
| City Island | De Felitta, Raymond: | 2009 | 1991-2010 | New York | United States |
Anxiety and pain from all the lies and mistaken motives. Catharsis from the climax, leading to feelings of wanting to be truthful in life! |
Lying is not the way to live. |
|
| Greystoke | Director: Hugh Hudson | 1984 | 1971-1990 | United Kingdom |
Life is Loss -- life is grim and culture is grim and the jungle is grim. All is grim. The other important feature of the film emotionally is that Tarzan has been crippled by his circumstances of being brought up in the jungle -- he cannot live as a man, so the great tragedy of the story is that he has to return to the jungle, which is below primitive -- it is an isolated hell in which death is at every corner, and at best the companionship of apes. Given that the story partly portrays civilized men as brutes who relish killing animals, perhaps the emotional intent is to make the choice to return to the jungle as positive, but for this reviewer it is unutterably tragic and ugly. |
Loss, Loss, Loss. Man as metaphysically alien from human culture. |
||
| Cyrano de Bergerac | Playwright: Edmond Rostand | 1897 | 1900s | France |
Life can be exciting. Life can be grand, literally. There is also some great sadness about consummated love, since it is portrayed as unreachable. |
The importance of independence and independent thought. Compromise is deadly to one's soul. Sub-themes: a) Doubt of one's goodness because of an incidental fact (physical feature) is terribly damaging and tragic. b) Helping someone by faking reality is damaging and can come to no good. |
||
| Flying Fish | Dancers: Torvill and Dean | c.1995 (verify) | 1990-2009 | NY NY | United States |
A heightened sense that Life is fantastically unbounded by daily cares. Life is imbued with unlimited potential and ease of movement. |
Life is light and fluid. |
|
| Brief Encounter | Screenwriter: Noel Coward | 1945 | 1931-1950 | United Kingdom |
Passionate love. Tragic choices. |
High romance is possible. Such love is unlikely to survive. This film manages to embrace two contradictory themes, leading to a major bittersweet outcome. |
