Title |
Creator | Date | Era | City | Country | Emotional Sum (Sense of Life or emotional World View) | Theme | |
|---|---|---|---|---|---|---|---|---|
| Diana | Sculptor: Auguste Saint-Gaudens | 1892 | 1900s | New York | United States |
Serenity in action. But not a strong world view in any case, quite placid. |
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| Design for Living | Writer: Noel Coward | 1932 | 1900s | United Kingdom |
Life can be giddy and bright. Facing up to one's anti-conventional values is important. Conventional morality must be questioned if it causes suffering and conflict. |
You should follow your deepest values and accept them no matter how unconventional the outcome. A rare combination of the wittiest, lightest of Noel Coward's style, along with deeper themes of romantic love, proper morality and how should one live. |
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| Day at the Beach | Painter: J.C. Leyendecker | 1932 | 1900s | United States |
Fun and cuteness. |
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| David | Sculptor: Michelangelo Buonarotti | 1504 | 1500s | Florence | Italy |
Man is a strong, indomitable creature who has the intelligence to overcome terrible odds. |
[requires assumption of some context of this work -- not a "cold" introduction to it]: A man able to face a daunting task, with tremulous calm and determination. This is the depiction of the David/Goliath story of the Bible in which David takes on the much more formidable Goliath and wins. |
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| Dangerous Beauty | Director: Marshall Herskovitz | 1998 | United States |
The world is a horrible split of conventional marital morality vs. honest but promiscuous morality. The way to live requires one sacrifice one's body for one's soul. |
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| Cyrano de Bergerac | Playwright: Edmond Rostand | 1897 | 1900s | France |
Life can be exciting. Life can be grand, literally. There is also some great sadness about consummated love, since it is portrayed as unreachable. |
The importance of independence and independent thought. Compromise is deadly to one's soul. Sub-themes: a) Doubt of one's goodness because of an incidental fact (physical feature) is terribly damaging and tragic. b) Helping someone by faking reality is damaging and can come to no good. |
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| Crane Under the Rain | Ohara, Shoson: | 1928 | 1900s | Japan |
Life is difficult. |
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| Covered Box | Designer: John Otar | 1930 | 1901-2000 | Santa Cruz, CA | United States |
Fun; complexity made from simplicity |
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| Confectionary Basket from Japan, Fukui region | Designer: Anonymous | unknown | Japan |
Life can be dynamic and purposeful and intriguing -- because of the dynamic form and economy of materials and diagonal symmetry of the composition. |
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| Composition with Red Yellow Blue and Black | Painter: Piet Mondrian | 1921 | The Hague | Netherlands |
[Seems mute] |
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| Comedia | Painter: Thomas Wilmer Dewing | 1892-4c | 1800s | Philadelphia | United States |
Life is sumptuous and beautiful and alive. |
Feminine vivacity and gaiety |
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| City Island | De Felitta, Raymond: | 2009 | 1991-2010 | New York | United States |
Anxiety and pain from all the lies and mistaken motives. Catharsis from the climax, leading to feelings of wanting to be truthful in life! |
Lying is not the way to live. |
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| Chocolate Pitcher and Butter Dish | Villeroy & Boch: | 1930 | Germany |
Friendly warmth (arising from the simple graceful lines, and the unadorned simplicity of the colors without ornament) |
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| Chocolat | Director: Lasse Hallstrom | 2000 | United Kingdom |
Pleasure is good; religion and conventional thinking is bad. |
Follow your dream and disregard convention. |
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| Chariots of Fire | Director: Hugh Hudson | 1981 | 1971-1990 | United Kingdom |
A complete feeling of openness of the world to greatness of your own choosing. |
Life is achievement. |
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| Chariot of Apollo | Sculptor: Jean Baptiste (1630-1700) Tuby | 1668-1670 | 1600s | Versailles | France |
The world has thrilling powerful men of action. There are no limits to what can be achieved. |
Elegant, physical power. The fantasy ability to fly through water and air with grace and ease. |
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| Camelot | Composer: Lerner and Loewe | 1960 | 1951-2000 | New York | United States |
One must attempt to live by values, even though virtue is powerless and hopeless. |
Camelot: a medieval place of goodness and justice, and its inevitable failure. |
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| Burn Notice | Creator: Matt Nix | 2007 | Miami | United States |
Anything can be done if you are smart and motivated enough. |
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| Burgos Cathedral Crossing | Architect: Unknown | 1569 circa | 1500s | Burgos | Spain |
God is order and reason and light. |
The spirit of god is rational, uplifting and rich in detail |
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| Brief Encounter | Screenwriter: Noel Coward | 1945 | 1931-1950 | United Kingdom |
Passionate love. Tragic choices. |
High romance is possible. Such love is unlikely to survive. This film manages to embrace two contradictory themes, leading to a major bittersweet outcome. |
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| Brass Bowl, The | Vance, Louis Joseph: | 1907 | 1900 - 1950 | United States |
The world is a delightful place. Good things happen to the deserving. |
Life as a gay, lighthearted adventure. |
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| Boulevard of Broken Dreams | Composer: Warren and Dubin | 1933-34 | 1900s | United States |
Weariness & Sadness |
Life is loss of dreams and sadness |
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| Bolero | Dancers: Torvill and Dean | 1994 | 1990-2009 | United States |
Harmony, grace exist. |
Two people as one. |
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| Blue Steps of Naumkeag | Landscape Designer: Fletcher Steele | 1937-39 | 1900 - 1950 | Stockbridge, MA | United States |
elegance and grace |
The man-made enhances nature -- it is what makes nature beautiful |
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| Blue Phoenix | Painter: Koyo Omura | 1921 | 1900s | Chicago | United States |
A pleasing and lush, possibly claustrophobic, world. |
