Creator Title Emotional Sum (Sense of Life or emotional World View) Theme
Author: Nevil Shute Trustee from the Toolroom

A feeling of gentleness, kindness and generosity towards good people in the world.

The importance of pursuing one's personal values.

Director: Michael Caton-Jones Rob Roy

Life is a struggle. The life you make for yourself can be difficult, but living it with strength and morality is the way to live. Happiness is possible in romance.

Heroism in everyday life leads to heroism writ large. A man works hard to lead his life and those of his extended clan in an honorable, productive, honest way. This is the everyday heroism. But dishonorable, evil men seek to steal from him and ruin him. This leads to a life of larger-than-life heroism to vanquish his mortal, and stronger enemies.

Director: Hugh Hudson Chariots of Fire

A complete feeling of openness of the world to greatness of your own choosing.

Life is achievement.

Sculptor: Pio Fedi Rape of Polyxena, The

Strength and complex beauty are central. Vitality, passion and action are hallmarks of this work.

Life is complex strife, entwined with strong god-like characters.

Author: Phyllis Brett Young Psyche

Optimistic, Hopeful, even under terrible circumstances.

We are beings of self-made soul

Composer: Alfredo Catalani Ebben? Ne andrò lontana (aria from La Wally)

Longing is the overall emotional tone of the music. The lyric gives reason to this overall tone.

Sadness at having to leave forever the place where you were happy once.

Painter: Domenico Ghirlandaio Old Man with a Young Boy

Human companionship or family closeness is real.

Quiet familial love. (A grandfather (perhaps) gazing upon a grandson, and vice versa, in a clear moment of happy communion.)

Director: Raymond De Felitta Two Family House

Feelings of benevolence and optimism about life. Happiness comes from making choices for your own good.

Going after what you want in life; Don't be stopped by conventional standards of the people around you. It takes courage to be selfish.

Architect: Anonymous Sainte-Chapelle

The world is brilliant, light, colorful, orderly.

The world is brilliant, light, colorful, orderly.

Loysel, Jacques: La Grande Nevrose

The dynamic female body is beautiful and exciting. Although it may not explicitly suggest it, the nude and its tense position could be felt as erotic.

An animated female body is a vessel of perfection.

Sculptor: Antonio Canova Three Graces

The female human form is beautiful, graceful, ideal.

Quiet repose and sisterly love. The piece exudes a quiet elegance and peacefulness amidst the complex three-dimensional composition. The inclusion of "sisterly love" is less certain, except that taking into account the mythological background of the piece. It can be argued that one should not take that into account, so perhaps that should not formally be included in the theme.

Author: Henry Kitchell Webster Real Adventure, The

Life is wonderful as long as you realize that life has to be earned the hard way.

Creating your self is the only way to live.

Playwright: Edmond Rostand Cyrano de Bergerac

Life can be exciting. Life can be grand, literally. There is also some great sadness about consummated love, since it is portrayed as unreachable.

The importance of independence and independent thought. Compromise is deadly to one's soul. Sub-themes: a) Doubt of one's goodness because of an incidental fact (physical feature) is terribly damaging and tragic. b) Helping someone by faking reality is damaging and can come to no good.

Painter: William Hosner Her Face to the Wind

One gets the feeling that the young woman is able to stand strong in the world, with panache and beauty all at once.

Facing life in a fresh, strong, vivacious way.

Painter: Emil Carlsen The Samovar

The world is full of textural richness worth looking at.

The richness of light and the objects it caresses.  This is a paean to the richness of visual experience, but with the simplest of materials -- just a light source and two kinds of simple unadorned objects.

Director: Hugh Hudson Greystoke

Life is Loss -- life is grim and culture is grim and the jungle is grim. All is grim.

The other important feature of the film emotionally is that Tarzan has been crippled by his circumstances of being brought up in the jungle -- he cannot live as a man, so the great tragedy of the story is that he has to return to the jungle, which is below primitive -- it is an isolated hell in which death is at every corner, and at best the companionship of apes. Given that the story partly portrays civilized men as brutes who relish killing animals, perhaps the emotional intent is to make the choice to return to the jungle as positive, but for this reviewer it is unutterably tragic and ugly.

Loss, Loss, Loss. Man as metaphysically alien from human culture.

Architect: Louis Sullivan National Farmers' Bank

Being able to breath freely -- expansively, and feeling that there are no limits to what man can do.

The world is expansively, infinitely rich.

Director: Andrew Stanton Wall-E

The world is garbage, and more garbage and humans have destroyed the earth, because of their wanton consumerism.

Mankind is a blight on the universe, and only cute robots (as opposed to evil robots) can save the earth from human degradation.

Director: Lasse Hallstrom Chocolat

Pleasure is good; religion and conventional thinking is bad.

Follow your dream and disregard convention.

Screenwriter: Chopra Vidhu Vinod 3 Idiots

Life can be fun and productive and exciting. As is true in some other Bollywood features, this story and the ideas behind it about pursuing the good life, has an honesty and clarity and benevolence that is not part of the U.S. movie scene.

Be what you want to be; follow your passion in life

Author: Emma Lazarus The New Colossus

Benevolent celebration of liberty as a beacon to a troubled world.

A marvelous land of liberty offers welcome to the oppressed of the world.

Director: Oliver Stone Wall Street

There are bad people in power who use ordinary people as pawns in their endless pursuit of money. Those who are not ruthless are sheep to be slaughtered by the rich and powerful. Greed is bad.

Financiers are amoral money-grubbing backstabbers, i.e., desire for money corrupts

Sculptor: unknown Niobe

Human action is beautiful.

Life is movement.

Playwright: William Shakespeare Othello: the Moor of Venice

Malevolence and horrible tragedy is unrelieved.  Evil is potent.

A great man can be gullible and controlled by an evil character.  Or, an evil character can have potency in the world, because of the weakness of a good man.

Director: Fred Zinnemann High Noon

There is palpable evil in the world. There is heroism in the face of evil in the world. The movie is full of fear and foreboding and betrayal.

Civil Society is the ideal, and worth fighting for. Doing what is right is the right way to live. Don't let the evil bastards win. The theme is expressed repeatedly in the movie via the contrast of the Marshall who grimly faces the need to do what he lives for, despite the death facing him, vs. the mealy mouthed town folk, many of which who won't fight for their civil society, and vs. the deputy marshall who portrays the sellout who will give into evil force in order to "get along".