Creator Title Emotional Sum (Sense of Life or emotional World View) Theme
Director: Raymond De Felitta Two Family House

Feelings of benevolence and optimism about life. Happiness comes from making choices for your own good.

Going after what you want in life; Don't be stopped by conventional standards of the people around you. It takes courage to be selfish.

Painter: William Hosner Her Face to the Wind

One gets the feeling that the young woman is able to stand strong in the world, with panache and beauty all at once.

Facing life in a fresh, strong, vivacious way.

Director and Screenwriter: Richard Curtis Love Actually

Romantic love, family love, filial love, and the love of friendship are of central importance to human existence, and are possible to achieve.

Wonderful experiences of love are found in many forms and places.

Author: Nevil Shute Far Country, The

Life can be bright, happy and successful, but hard decisions must be faced and dealt with.

A good and happy life is made up of self-directed actions, self-chosen goals.

A less important theme is:
Freedom from government control.
Whether the government control results from devastating wars, or from socialist control of medical care, freedom is to be sought and prized.

Director: Michael Caton-Jones Rob Roy

Life is a struggle. The life you make for yourself can be difficult, but living it with strength and morality is the way to live. Happiness is possible in romance.

Heroism in everyday life leads to heroism writ large. A man works hard to lead his life and those of his extended clan in an honorable, productive, honest way. This is the everyday heroism. But dishonorable, evil men seek to steal from him and ruin him. This leads to a life of larger-than-life heroism to vanquish his mortal, and stronger enemies.

Director: Hugh Hudson Greystoke

Life is Loss -- life is grim and culture is grim and the jungle is grim. All is grim.

The other important feature of the film emotionally is that Tarzan has been crippled by his circumstances of being brought up in the jungle -- he cannot live as a man, so the great tragedy of the story is that he has to return to the jungle, which is below primitive -- it is an isolated hell in which death is at every corner, and at best the companionship of apes. Given that the story partly portrays civilized men as brutes who relish killing animals, perhaps the emotional intent is to make the choice to return to the jungle as positive, but for this reviewer it is unutterably tragic and ugly.

Loss, Loss, Loss. Man as metaphysically alien from human culture.

Director: Baz Luhrmann Romeo + Juliet

Tragedy is central to life.

Romantic Love is doomed and we don't control our own lives.

Architect: Frank Lloyd Wright Robie House

The world is open and has sweeping, unending possibilities.

The essence of a house as shelter, and providing a sense of strength and privacy. That is, a structure that exudes strength through its massive cantilever and massive brick and stone forms, along with its big overhangs sheltering the windows to create a sense of privacy and enclosure, in its urban situation.

Architect: Guarino Guarini Real Chiesa di San Lorenzo (Royal Church of St. Lawrence)

The world is perfected. The joy of seeing complexity that is simplicity, i.e., that the rich complex vision arises from simple elements which because of their arrangement provide layers of visual thrills.

Complex, soaring geometric order.

Painter: Domenico Ghirlandaio Old Man with a Young Boy

Human companionship or family closeness is real.

Quiet familial love. (A grandfather (perhaps) gazing upon a grandson, and vice versa, in a clear moment of happy communion.)

Domenichino: Head of a Bearded Man

Pensive, worried, detached qualities of humanity

Worry is the way of the world.

Painter: John White Alexander Repose

Life is extravagant and lush and sensual.

Feminine Sensuality is a main theme, though one can argue that a related (equal theme or sub-theme) is: The Lushness of the Material World. The dramatic draped womanly figure pressing against a divan, whose figure is clearly oulined, shares the visual dominance of the painting along with the magnificent sweeps of her dress and the giant pillows, the massive backrest, and even the strong elements of the floor material and the golden back wall. All together a remarkable composition.

Director: Stephen Daldry Billy Elliot

Life is dirty but one can clean up.

Go after what you love.

Miron - Parish: Tzena Tzena Tzena

Joyous celebration

Joyous celebration

Director: Lasse Hallstrom Chocolat

Pleasure is good; religion and conventional thinking is bad.

Follow your dream and disregard convention.

Author: Ayn Rand Atlas Shrugged

Life can be good; Men are competent to live happily; The world can be a shining, happy place to exist, if one is free. But novel also presents a dark, dystopian world to help make real that positive view.

The crucial value of the human mind.

Sculptor: Jean Baptiste (1630-1700) Tuby Chariot of Apollo

The world has thrilling powerful men of action.  There are no limits to what can be achieved.

Elegant, physical power.  The fantasy ability to fly through water and air with grace and ease.

Director: Hugh Hudson Chariots of Fire

A complete feeling of openness of the world to greatness of your own choosing.

Life is achievement.

Composer: Giuseppe Verdi Attila (live performance)

Life is a mix of strength, heroism, romantic passion.

The work is a long complex opera, so it has many other lyrical emotions as part of it, but this covers the basic sense of life.

Loving a heroic woman leads to death

Sculptor: Pio Fedi Rape of Polyxena, The

Strength and complex beauty are central. Vitality, passion and action are hallmarks of this work.

Life is complex strife, entwined with strong god-like characters.

Director: Marshall Herskovitz Dangerous Beauty

The world is a horrible split of conventional marital morality vs. honest but promiscuous morality. The way to live requires one sacrifice one's body for one's soul.

The importance of accepting your own rules for living, your own morality.

Writer: Noel Coward Design for Living

Life can be giddy and bright. Facing up to one's anti-conventional values is important. Conventional morality must be questioned if it causes suffering and conflict.

You should follow your deepest values and accept them no matter how unconventional the outcome.

A rare combination of the wittiest, lightest of Noel Coward's style, along with deeper themes of romantic love, proper morality and how should one live.

Screenwriter: Chopra Vidhu Vinod 3 Idiots

Life can be fun and productive and exciting. As is true in some other Bollywood features, this story and the ideas behind it about pursuing the good life, has an honesty and clarity and benevolence that is not part of the U.S. movie scene.

Be what you want to be; follow your passion in life

Director: Fred Zinnemann High Noon

There is palpable evil in the world. There is heroism in the face of evil in the world. The movie is full of fear and foreboding and betrayal.

Civil Society is the ideal, and worth fighting for. Doing what is right is the right way to live. Don't let the evil bastards win. The theme is expressed repeatedly in the movie via the contrast of the Marshall who grimly faces the need to do what he lives for, despite the death facing him, vs. the mealy mouthed town folk, many of which who won't fight for their civil society, and vs. the deputy marshall who portrays the sellout who will give into evil force in order to "get along".

Playwright: William Shakespeare Othello: the Moor of Venice

Malevolence and horrible tragedy is unrelieved.  Evil is potent.

A great man can be gullible and controlled by an evil character.  Or, an evil character can have potency in the world, because of the weakness of a good man.