| Creator | Title | Emotional Sum (Sense of Life or emotional World View) | Theme |
|---|---|---|---|
| Architect: Frank Lloyd Wright | Johnson Wax Building |
Day to day life can be exalted and pleasurable. |
To Work should be a condition of grandeur and joy. |
| Loysel, Jacques: | La Grande Nevrose |
The dynamic female body is beautiful and exciting. Although it may not explicitly suggest it, the nude and its tense position could be felt as erotic. |
An animated female body is a vessel of perfection. |
| Director: Michael Caton-Jones | Rob Roy |
Life is a struggle. The life you make for yourself can be difficult, but living it with strength and morality is the way to live. Happiness is possible in romance. |
Heroism in everyday life leads to heroism writ large. A man works hard to lead his life and those of his extended clan in an honorable, productive, honest way. This is the everyday heroism. But dishonorable, evil men seek to steal from him and ruin him. This leads to a life of larger-than-life heroism to vanquish his mortal, and stronger enemies. |
| Landscape Designer: Fletcher Steele | Blue Steps of Naumkeag |
elegance and grace |
The man-made enhances nature -- it is what makes nature beautiful |
| Painter: Thomas Wilmer Dewing | Comedia |
Life is sumptuous and beautiful and alive. |
Feminine vivacity and gaiety |
| Writer: Noel Coward | Design for Living |
Life can be giddy and bright. Facing up to one's anti-conventional values is important. Conventional morality must be questioned if it causes suffering and conflict. |
You should follow your deepest values and accept them no matter how unconventional the outcome. A rare combination of the wittiest, lightest of Noel Coward's style, along with deeper themes of romantic love, proper morality and how should one live. |
| Director: Rob Reiner | A Few Good Men |
Justice should be fought for, needs to be fought for and can be fragile. |
Commitment to a moral code is central to a good man's life. |
| Rodin, Auguste: | Shade, The |
Life is a gruesome trial. There is no hope. |
The world destroys man. (Some unknown evil force is destroying this young strong man.) Given that the sculpture is titled as a "Shade" and is related to the Group sculpture "Gates of Hell", one can presume the evil is some unnamed condition that can overpower life and cause destruction of the good. |
| Author: Nevil Shute | Far Country, The |
Life can be bright, happy and successful, but hard decisions must be faced and dealt with. |
A good and happy life is made up of self-directed actions, self-chosen goals. A less important theme is: |
| Dancers: Torvill and Dean | Bolero |
Harmony, grace exist. |
Two people as one. |
| Author: Nevil Shute | Trustee from the Toolroom |
A feeling of gentleness, kindness and generosity towards good people in the world. |
The importance of pursuing one's personal values. |
| Screenwriter: Noel Coward | Brief Encounter |
Passionate love. Tragic choices. |
High romance is possible. Such love is unlikely to survive. This film manages to embrace two contradictory themes, leading to a major bittersweet outcome. |
| Director: Leo McCarey | Ruggles of Red Gap |
Happiness and fulfillment is in yourself. |
Personal declaration of independence from servitude |
| Rand, Ayn: | Anthem |
The book starts out psychologically dark and disorienting because of the protagonist struggling with the radically collectivist world he was born into. But what shows even in the early pages, and grows to the climax is the triumphant struggle of a rare few who break free of the yoke of total mind control and become free to live a life as a conceptual human and rediscover what it means to be an individual. Thrilling and emotionally satisfying (unless the reader is a committed determinist.) |
Ego and using one's individual mind is the core of being human. |
| Myron?: | Riace Bronze A |
Man is strong and indomitable |
Intelligence, Pride, Strength = Man |
| Sculptor: Pio Fedi | Rape of Polyxena, The |
Strength and complex beauty are central. Vitality, passion and action are hallmarks of this work. |
Life is complex strife, entwined with strong god-like characters. |
| Director: Alan Parker | Fame |
Life is hard, but you can succeed, and it is worth it and exhilarating. |
Go after your heart's desire. |
| Sculptor: Michelangelo Buonarotti | Pieta |
Resignation in the face of tragedy. |
Recognition and acceptance of a great personal loss. |
| Author: Emma Lazarus | The New Colossus |
Benevolent celebration of liberty as a beacon to a troubled world. |
A marvelous land of liberty offers welcome to the oppressed of the world. |
| White, James Terry: | Hyacinths to feed thy soul |
Hopeful. Even in poverty one can have beauty. |
Beauty is a form of sustenance |
| Director: Emile Ardolino | Dirty Dancing |
Life is passionate and meaningful. |
The joy and passion of love and life and dancing, while learning integrity and independence. |
| Director: Hugh Hudson | Chariots of Fire |
A complete feeling of openness of the world to greatness of your own choosing. |
Life is achievement. |
| Sculptor: Antonio Canova | Three Graces |
The female human form is beautiful, graceful, ideal. |
Quiet repose and sisterly love. The piece exudes a quiet elegance and peacefulness amidst the complex three-dimensional composition. The inclusion of "sisterly love" is less certain, except that taking into account the mythological background of the piece. It can be argued that one should not take that into account, so perhaps that should not formally be included in the theme. |
| Vance, Louis Joseph: | Brass Bowl, The |
The world is a delightful place. Good things happen to the deserving. |
Life as a gay, lighthearted adventure. |
| Choreographer: Harold Lander | Etudes |
Thrilling pleasure at beautiful movement and great success at developing the best within you. |
Hard work results in great achievement in life -- and that results in beauty and excitement in life. |