Creator Title Emotional Sum (Sense of Life or emotional World View) Theme
Architect: Louis Sullivan National Farmers' Bank

Being able to breath freely -- expansively, and feeling that there are no limits to what man can do.

The world is expansively, infinitely rich.

Playwright: Edmond Rostand Cyrano de Bergerac

Life can be exciting. Life can be grand, literally. There is also some great sadness about consummated love, since it is portrayed as unreachable.

The importance of independence and independent thought. Compromise is deadly to one's soul. Sub-themes: a) Doubt of one's goodness because of an incidental fact (physical feature) is terribly damaging and tragic. b) Helping someone by faking reality is damaging and can come to no good.

Miron - Parish: Tzena Tzena Tzena

Joyous celebration

Joyous celebration

Director: Coppola Francis Ford Godfather

Life demands death; life is a horror of killing and retribution. Life is tragedy and malevolence

Behind beauty and success lies corruption and death.

Author: Ayn Rand Atlas Shrugged

Life can be good; Men are competent to live happily; The world can be a shining, happy place to exist, if one is free. But novel also presents a dark, dystopian world to help make real that positive view.

The crucial value of the human mind.

Sculptor: Pio Fedi Rape of Polyxena, The

Strength and complex beauty are central. Vitality, passion and action are hallmarks of this work.

Life is complex strife, entwined with strong god-like characters.

Director: Lasse Hallstrom Chocolat

Pleasure is good; religion and conventional thinking is bad.

Follow your dream and disregard convention.

Sculptor: Antonio Canova Three Graces

The female human form is beautiful, graceful, ideal.

Quiet repose and sisterly love. The piece exudes a quiet elegance and peacefulness amidst the complex three-dimensional composition. The inclusion of "sisterly love" is less certain, except that taking into account the mythological background of the piece. It can be argued that one should not take that into account, so perhaps that should not formally be included in the theme.

Director: Michael Caton-Jones Rob Roy

Life is a struggle. The life you make for yourself can be difficult, but living it with strength and morality is the way to live. Happiness is possible in romance.

Heroism in everyday life leads to heroism writ large. A man works hard to lead his life and those of his extended clan in an honorable, productive, honest way. This is the everyday heroism. But dishonorable, evil men seek to steal from him and ruin him. This leads to a life of larger-than-life heroism to vanquish his mortal, and stronger enemies.

Composer: Alfredo Catalani Ebben? Ne andrò lontana (aria from La Wally)

Longing is the overall emotional tone of the music. The lyric gives reason to this overall tone.

Sadness at having to leave forever the place where you were happy once.

Singing Group: Soviet Army Chorus and Band Wait for Your Soldier

Happiness triumphs.

The power of joy to motivate action.

Director: Stephane Gauger Owl and the Sparrow

A child shows sweetness and strength and determination.

Searching for family, for soulmates.

Director: Leo McCarey Ruggles of Red Gap

Happiness and fulfillment is in yourself.

Personal declaration of independence from servitude

Painter: Ettore Tito La Gomena (The Boat Tow-er)

There is great effort in life, and a woman can be the master of it. This painting is a curious combination of romantic heroism and 19th century genre naturalism. It has a visual dynamism and dramatic content that is strongly romantic, yet the subject is the prosaic task of pulling a boat out of the water.

The will and the power of a woman. Implacable determination.

Composer: Lerner and Loewe Camelot

One must attempt to live by values, even though virtue is powerless and hopeless.

Camelot: a medieval place of goodness and justice, and its inevitable failure.

Sculptor: Michelangelo Buonarotti Pieta

Life is acceptance of pain. Resignation in the face of tragedy.

Resignation and sorrow for a great personal loss.

Playwright: William Shakespeare Othello: the Moor of Venice

Malevolence and horrible tragedy is unrelieved.  Evil is potent.

A great man can be gullible and controlled by an evil character.  Or, an evil character can have potency in the world, because of the weakness of a good man.

Architect: Anonymous Sainte-Chapelle

The world is brilliant, light, colorful, orderly.

The world is brilliant, light, colorful, orderly.

Director: John McTiernan Die Hard

The way to beat evil is to give no quarter, no compromise. Life is hard, but fighting for the right is rewarded.

Giving up in life is not an option.

Architect: Frank Lloyd Wright Robie House

The world is open and has sweeping, unending possibilities.

The essence of a house as shelter, and providing a sense of strength and privacy. That is, a structure that exudes strength through its massive cantilever and massive brick and stone forms, along with its big overhangs sheltering the windows to create a sense of privacy and enclosure, in its urban situation.

Director: Andrew Stanton Wall-E

The world is garbage, and more garbage and humans have destroyed the earth, because of their wanton consumerism.

Mankind is a blight on the universe, and only cute robots (as opposed to evil robots) can save the earth from human degradation.

De Felitta, Raymond: City Island

Anxiety and pain from all the lies and mistaken motives. Catharsis from the climax, leading to feelings of wanting to be truthful in life!

Lying is not the way to live.

Director: Emile Ardolino Dirty Dancing

Life is passionate and meaningful.

The joy and passion of love and life and dancing, while learning integrity and independence.

Sculptor: Jean Baptiste (1630-1700) Tuby Chariot of Apollo

The world has thrilling powerful men of action.  There are no limits to what can be achieved.

Elegant, physical power.  The fantasy ability to fly through water and air with grace and ease.

Painter: Domenico Ghirlandaio Old Man with a Young Boy

Human companionship or family closeness is real.

Quiet familial love. (A grandfather (perhaps) gazing upon a grandson, and vice versa, in a clear moment of happy communion.)