Title | Creator | Date | Era | City | Country | Emotional Sum (Sense of Life or emotional World View) | Theme | |
---|---|---|---|---|---|---|---|---|
![]() |
Ebben? Ne andrò lontana (aria from La Wally) | Composer: Catalani, Alfredo | 1892 | 1851-1900 | United States | Longing is the overall emotional tone of the music. The lyric gives reason to this overall tone. |
Sadness at having to leave forever the place where you were happy once. |
|
![]() |
Ebben? Ne andrò lontana (aria from La Wally) | Composer: Catalani, Alfredo | 1892 | 1851-1900 | United States | Longing is the overall emotional tone of the music. The lyric gives reason to this overall tone. |
Sadness at having to leave forever the place where you were happy once. |
|
![]() |
East of Eden | Author: Steinbeck, John | 1952 | 1951 - 2000 | Life is filled with great and important choices. | The battle between good and evil, guilt and innocence. Takes the position that we are influenced by many things, but ultimately we have free will. |
||
![]() |
Dirty Dancing | Director: Ardolino, Emile | 1987 | Life is passionate and meaningful. | The joy and passion of love and life and dancing, while learning integrity and independence. |
|||
![]() |
Die Hard | Director: McTiernan, John | 1988 July 15 | The way to beat evil is to give no quarter, no compromise. Life is hard, but fighting for the right is rewarded. | Giving up in life is not an option. |
|||
![]() |
Diana | Sculptor: Saint-Gaudens, Auguste | 1892 | 1900s | New York | United States | Serenity in action. But not a strong world view in any case, quite placid. | |
![]() |
Design for Living | Writer: Coward, Noel | 1932 | 1900s | Life can be giddy and bright. Facing up to one's anti-conventional values is important. Conventional morality must be questioned if it causes suffering and conflict. |
You should follow your deepest values and accept them no matter how unconventional the outcome. A rare combination of the wittiest, lightest of Noel Coward's style, along with deeper themes of romantic love, proper morality and how should one live. |
||
![]() |
Day at the Beach | Painter: Leyendecker, J.C. | 1932 | 1900s | Fun and cuteness. | |||
![]() |
David | Sculptor: Buonarotti, Michelangelo | 1504 | 1500s | Man is a strong, indomitable creature who has the intelligence to overcome terrible odds. | [requires assumption of some context of this work -- not a "cold" introduction to it]: A man able to face a daunting task, with tremulous calm and determination. This is the depiction of the David/Goliath story of the Bible in which David takes on the much more formidable Goliath and wins. |
||
![]() |
Dangerous Beauty | Director: Herskovitz, Marshall | 1998 | pre-1910 | United States | The world is a horrible split of conventional marital morality vs. honest but promiscuous morality. The way to live requires one sacrifice one's body for one's soul. | 1. The importance of accepting your own rules for living, your own morality. |
|
![]() |
Cyrano de Bergerac | Playwright: Rostand, Edmond | 1897 | 1900s | United States | Life can be exciting. Life can be grand, literally. There is also some great sadness about consummated love, since it is portrayed as unreachable. |
The importance of independence and independent thought. Compromise is deadly to one's soul. |
|
![]() |
Crane Under the Rain | Ohara, Shoson | 1928 | 1900s | Life is difficult. | |||
![]() |
Covered Box | Designer: Otar, John | 1930 | 1901-2000 | Fun; complexity made from simplicity | |||
![]() |
Confectionary Basket from Japan, Fukui region | Designer: Anonymous | unknown | Life can be dynamic and purposeful and intriguing -- because of the dynamic form and economy of materials and diagonal symmetry of the composition. | ||||
![]() |
Composition with Red Yellow Blue and Black | Painter: Mondrian, Piet | 1921 | [Seems mute] | ||||
![]() |
Comedia | Painter: Dewing, Thomas Wilmer | 1892-4c | 1800s | Philadelphia | United States | Life is sumptuous and beautiful and alive. | Feminine vivacity and gaiety |
![]() |
City Island | De Felitta, Raymond | 2009 | 1991-2010 | United States | Anxiety and pain from all the lies and mistaken motives. Catharsis from the climax, leading to feelings of wanting to be truthful in life! | Lying is not the way to live. |
|
![]() |
Chocolate Pitcher and Butter Dish | Villeroy & Boch | 1930 | United States | Friendly warmth (arising from the simple graceful lines, and the unadorned simplicity of the colors without ornament) | |||
![]() |
Chocolat | Director: Hallstrom, Lasse | 2000 | Pleasure is good; religion and conventional thinking is bad. | Follow your dream and disregard convention. |
|||
![]() |
Chariots of Fire | Director: Hudson, Hugh | 1981 | 1971-1990 | A complete feeling of openness of the world to greatness of your own choosing. | Life is achievement. |
||
![]() |
Chariot of Apollo | Sculptor: Tuby, Jean Baptiste (1630-1700) | 1668-1670 | 1600s | The world has thrilling powerful men of action. There are no limits to what can be achieved. |
Elegant, physical power. The fantasy ability to fly through water and air with grace and ease.<br> |
||
![]() |
Camelot | Composer: Lerner and Loewe | 1960 | 1951-2000 | One must attempt to live by values, even though virtue is powerless and hopeless. | Camelot: a medieval place of goodness and justice, and its inevitable failure. |
||
![]() |
Burn Notice | Creator: Nix, Matt | 2007 | Anything can be done if you are smart and motivated enough. | ||||
![]() |
Burgos Cathedral Crossing | Architect: Unknown | 1569 circa | 1500s | God is order and reason and light. | The spirit of god is rational, uplifting and rich in detail |
||
![]() |
Brief Encounter | Screenwriter: Coward, Noel | 1945 | 1931-1950 | United Kingdom | Passionate love. Tragic choices. | High romance is possible. Such love is unlikely to survive. |