Creator | Title | Emotional Sum (Sense of Life or emotional World View) | Theme |
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Henrik Ibsen | The Lady from the Sea | the glow of happiness that follows from realizing that your life is your own to create, and that only you can do that; and the realization of how much you have to gain or lose from taking that self-responsibility. |
Theme: all of life’s values come from – and can only come from – one’s free choice. Free – of any outside coercion, or any outside attempt to make the choices for you, and free of any self-imposed motives not grounded in your own complete freedom to choose. Without that total freedom to choose, life is empty. |
Shute, Nevil | Landfall | Heroes and Heroines are self-made, by anyone at any level of intelligence who seriously pursues what is important in their lives. |
Truth will triumph -- with perseverance. |
Playwright: Shakespeare, William | Othello: the Moor of Venice | Malevolence and horrible tragedy is unrelieved. Evil is potent. |
A great man can be gullible and controlled by an evil character. Or, an evil character can have potency in the world, because of the weakness of a good man.<br> |
Director: Ballard, Carroll | Black Stallion | Everything is possible between boy and beast, between an innocent human and mother nature. | Man and nature in harmony. |
Painter: Van Rijn, Rembrandt | Feast of Belshazzar | The only way to know the sense of life or world view of the painting is through it's history, since the image is very mixed. Shows an opulent and sumptuous world, but the people are obviously distressed over something. Assuming one knows its history, you could conclude it is an exercise in depicting the dangers of the worldly pursuits and wealth. | |
Director: Daldry, Stephen | Billy Elliot | Life is dirty but one can clean up. | Go after what you love. |
Photographer: Ommer, Uwe | Pirelli Calendar Diver | Women can be strong, dynamic and unconsciously beautiful. | |
Playwright: Rostand, Edmond | Cyrano de Bergerac | Life can be exciting. Life can be grand, literally. There is also some great sadness about consummated love, since it is portrayed as unreachable. |
The importance of independence and independent thought. Compromise is deadly to one's soul. |
Designer: Esherick, Wharton | Fireplace and Door | Very orderly exuberance, via "explosive" geometry | |
De Felitta, Raymond | City Island | Anxiety and pain from all the lies and mistaken motives. Catharsis from the climax, leading to feelings of wanting to be truthful in life! | Lying is not the way to live. |
Painter: Alexander, John White | Repose | Life is extravagant and lush and sensual. | Feminine Sensuality is a main theme, though one can argue that a related (equal theme or sub-theme) is: The Lushness of the Material World. The dramatic draped womanly figure pressing against a divan, whose figure is clearly oulined, shares the visual dominance of the painting along with the magnificent sweeps of her dress and the giant pillows, the massive backrest, and even the strong elements of the floor material and the golden back wall. All together a remarkable composition. |
Director: Hallstrom, Lasse | Chocolat | Pleasure is good; religion and conventional thinking is bad. | Follow your dream and disregard convention. |
Sculptor: Canova, Antonio | Three Graces | The female human form is beautiful, graceful, ideal. | Quiet repose and sisterly love. The piece exudes a quiet elegance and peacefulness amidst the complex three-dimensional composition. The inclusion of "sisterly love" is less certain, except that taking into account the mythological background of the piece. It can be argued that one should not take that into account, so perhaps that should not formally be included in the theme. |
Biviel Design | Biviel Shoe BV2773 | Feeling: texture and line create a sense of elegance and beauty. | |
Director: Reiner, Rob | American President | Romance is fun, funny and important. | |
Author: Webster, Henry Kitchell | Real Adventure, The | Life is wonderful as long as you realize that life has to be earned the hard way. | Creating your *self* is the only way to live. |
Classical Persian School | Ardabil Carpet | sumptuous eye candy. | |
Director: Hudson, Hugh | Chariots of Fire | A complete feeling of openness of the world to greatness of your own choosing. | Life is achievement. |
Draftsman: Boscoli, Andrea | Horse Seen from Behind | Not much except perhaps stylistic -- confident, strong drafting style, and a vibrant, alive, horse. | |
Dancers: Torvill and Dean | Flying Fish | A heightened sense that Life is fantastically unbounded by daily cares. Life is imbued with unlimited potential and ease of movement. | Life is light and fluid. |
Singing Group: Soviet Army Chorus and Band | Sports March | Happiness triumphs. | The power of joy to motivate action. |
Composer: Beethoven, Ludwig | Symphony no. X | test |
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Director: Canet, Guillaume | Tell No One (aka Ne le dis à personne) | Life is sad, and controlled by mysterious corruption. | |
Director: Murer, Fredi | Vitus | If you have the will, you can find the way to live the way you want. | Living your life your own way is the only right way. |
Director: Hudson, Hugh | Greystoke | Life is Loss -- life is grim and culture is grim and the jungle is grim. All is grim. The other important feature of the film emotionally is that Tarzan has been crippled by his circumstances of being brought up in the jungle -- he cannot live as a man, so the great tragedy of the story is that he has to return to the jungle, which is below primitive -- it is an isolated hell in which death is at every corner, and at best the companionship of apes. Given that the story partly portrays civilized men as brutes who relish killing animals, perhaps the emotional intent is to make the choice to return to the jungle as positive, but for this reviewer it is unutterably tragic and ugly. |
Loss, Loss, Loss. Man as metaphysically alien from human culture. |