Creator | Title | Emotional Sum (Sense of Life or emotional World View) | Theme |
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Director: McTiernan, John | Die Hard | The way to beat evil is to give no quarter, no compromise. Life is hard, but fighting for the right is rewarded. | Giving up in life is not an option. |
Loysel, Jacques | La Grande Nevrose | The dynamic female body is beautiful and exciting. Although it may not explicitly suggest it, the nude and its tense position could be felt as erotic. | An animated female body is a vessel of perfection. |
White, James Terry | Hyacinths to feed thy soul | Hopeful. Even in poverty one can have beauty. | Beauty is a form of sustenance |
Miron - Parish | Tzena Tzena Tzena | Joyous celebration | Joyous celebration |
Myron? | Riace Bronze A | Man is strong and indomitable | Intelligence, Pride, Strength = Man |
Dancers: Torvill and Dean | Bolero | Harmony, grace exist. | Two people as one. |
Composer: Warren and Dubin | Boulevard of Broken Dreams | Weariness & Sadness | Life is loss of dreams and sadness |
Director: Herskovitz, Marshall | Dangerous Beauty | The world is a horrible split of conventional marital morality vs. honest but promiscuous morality. The way to live requires one sacrifice one's body for one's soul. | 1. The importance of accepting your own rules for living, your own morality. |
Director: Stone, Oliver | Wall Street | There are bad people in power who use ordinary people as pawns in their endless pursuit of money. Those who are not ruthless are sheep to be slaughtered by the rich and powerful. Greed is bad. |
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Writer: Coward, Noel | Design for Living | Life can be giddy and bright. Facing up to one's anti-conventional values is important. Conventional morality must be questioned if it causes suffering and conflict. |
You should follow your deepest values and accept them no matter how unconventional the outcome. A rare combination of the wittiest, lightest of Noel Coward's style, along with deeper themes of romantic love, proper morality and how should one live. |
Classical Persian School | Ardabil Carpet | sumptuous eye candy. | |
Designer: Eiffel, Gustave | Eiffel Tower | The works of Man are thrilling. | |
Landscape Designer: Steele, Fletcher | Blue Steps of Naumkeag | elegance and grace | The man-made enhances nature -- it is what makes nature beautiful |
Hiroshige | Senso-ju Temple at Asakusa | Pure, simple, quiet tranquility. | |
Sculptor: Buonarotti, Michelangelo | David | Man is a strong, indomitable creature who has the intelligence to overcome terrible odds. | [requires assumption of some context of this work -- not a "cold" introduction to it]: A man able to face a daunting task, with tremulous calm and determination. This is the depiction of the David/Goliath story of the Bible in which David takes on the much more formidable Goliath and wins. |
Director: Benigni, Roberto | Monster, The | Just laughter and more of the same. | |
Maugham, W. Somerset | Of Human Bondage | Life is a fearful gray spread of actions and in-actions without genuine values. We are all deformed in mind or spirit and should accept convention as demanded by those around us. | Man's life is outside his control. Conventionality is the final ideal. |
Rodin, Auguste | Shade, The | Life is a gruesome trial. There is no hope. | The world destroys man. (Some unknown evil force is destroying this young strong man.) Given that the sculpture is titled as a "Shade" and is related to the Group sculpture "Gates of Hell", one can presume the evil is some unnamed condition that can overpower life and cause destruction of the good. |
Director: Tran, Anh Hung | The Taste of Things | test test test test |
tentative: the ideal world of physical creation of food shared by soulmates. |
Designer: Ferrari, Enzo | Ferrari Dino 246 GT | The world is a place of speed and elegance. | |
Author: Steinbeck, John | East of Eden | Life is filled with great and important choices. | The battle between good and evil, guilt and innocence. Takes the position that we are influenced by many things, but ultimately we have free will. |
Director: Canet, Guillaume | Tell No One (aka Ne le dis à personne) | Life is sad, and controlled by mysterious corruption. | |
Architect: Guarini, Guarino | Real Chiesa di San Lorenzo (Royal Church of St. Lawrence) | The world is perfected. The joy of seeing complexity that is simplicity, i.e., that the rich complex vision arises from simple elements which because of their arrangement provide layers of visual thrills. | Complex, soaring geometric order. |
Director: Ballard, Carroll | Black Stallion | Everything is possible between boy and beast, between an innocent human and mother nature. | Man and nature in harmony. |
Schaefer, Taf Lebel | Octopus | Playful. |