| Creator | Title | Emotional Sum (Sense of Life or emotional World View) | Theme |
|---|---|---|---|
| Rand, Ayn | Anthem | The book starts out psychologically dark and disorienting because of the protagonist struggling with the radically collectivist world he was born into. But what shows even in the early pages, and grows to the climax is the triumphant struggle of a rare few who break free of the yoke of total mind control and become free to live a life as a conceptual human and rediscover what it means to be an individual. Thrilling and emotionally satisfying (unless the reader is a committed determinist.) |
Ego and using one's individual mind is the core of being human. |
| Painter: Alexander, John White | Repose | Life is extravagant and lush and sensual. | Feminine Sensuality is a main theme, though one can argue that a related (equal theme or sub-theme) is: The Lushness of the Material World. The dramatic draped womanly figure pressing against a divan, whose figure is clearly oulined, shares the visual dominance of the painting along with the magnificent sweeps of her dress and the giant pillows, the massive backrest, and even the strong elements of the floor material and the golden back wall. All together a remarkable composition. |
| Playwright: Shakespeare, William | Othello: the Moor of Venice | Malevolence and horrible tragedy is unrelieved. Evil is potent. |
A great man can be gullible and controlled by an evil character. Or, an evil character can have potency in the world, because of the weakness of a good man.<br> |
| Landscape Designer: Steele, Fletcher | Blue Steps of Naumkeag | elegance and grace | The man-made enhances nature -- it is what makes nature beautiful |
| Photographer: Ommer, Uwe | Pirelli Calendar Diver | Women can be strong, dynamic and unconsciously beautiful. | |
| Dancers: Torvill and Dean | Flying Fish | A heightened sense that Life is fantastically unbounded by daily cares. Life is imbued with unlimited potential and ease of movement. | Life is light and fluid. |
| Sculptor: Agesander | Laocoon (Laocoön and His Sons) | Life is a desperate, agonizing struggle. | The heroic but agonizing defeat of Men. This sculpture certainly represents at the same time the heroic nature of men but cast into an impossible situation that can only be tragic. |
| Author: Young, Phyllis Brett | Psyche | Optimistic, Hopeful, even under terrible circumstances. |
We are beings of self-made soul<br> |
| Designer: Unknown | Rose Window - La Sainte-Chapelle (aka The Holy Chapel | The world is open and bright and colorful and gay. | |
| Author: Lazarus, Emma | The New Colossus | Benevolent celebration of liberty as a beacon to a troubled world. | A marvelous land of liberty offers welcome to the oppressed of the world. |
| Director: Hallstrom, Lasse | Chocolat | Pleasure is good; religion and conventional thinking is bad. | Follow your dream and disregard convention. |
| Playwright: Shakespeare, William | Much Ado About Nothing | Sweetness and light and beauty are what the world is made of. | |
| Author: Webster, Henry Kitchell | King in Khaki, A | Honesty is a noble and practical way of life. |
Business acumen produces both material wealth and moral right. The success of the entrepreneur in this story, along with his relation to all his staff and secondary and tertiary folks on the island who work for him -- makes him into a "king" based on important human relations and the rightness of his decisions that result in a successful business enterprise. A subsidiary theme might be termed the power of morality over physical power or economic "power". |
| Sculptor: Saint-Gaudens, Auguste | Diana | Serenity in action. But not a strong world view in any case, quite placid. | |
| Painter: Leyendecker, J.C. | Day at the Beach | Fun and cuteness. | |
| Composer: Lehar, Franz | Merry Widow (Die Lustige Witwe) | Love brings gaiety and joy to life. |
Love can be gay and tender, solemn and lighthearted, painful and joyous. |
| Painter: Hosner, William | Her Face to the Wind | One gets the feeling that the young woman is able to stand strong in the world, with panache and beauty all at once. | Facing life in a fresh, strong, vivacious way. |
| White, James Terry | Hyacinths to feed thy soul | Hopeful. Even in poverty one can have beauty. | Beauty is a form of sustenance |
| Painter: Koyo Omura | Blue Phoenix | A pleasing and lush, possibly claustrophobic, world. | |
| Vase Painter: Euphronios | Euphronios Krater aka Sarpedon Krater | Exquisitely beautiful hardship. | |
| Rodin, Auguste | Shade, The | Life is a gruesome trial. There is no hope. | The world destroys man. (Some unknown evil force is destroying this young strong man.) Given that the sculpture is titled as a "Shade" and is related to the Group sculpture "Gates of Hell", one can presume the evil is some unnamed condition that can overpower life and cause destruction of the good. |
| Director: Zinnemann, Fred | High Noon | There is palpable evil in the world. There is heroism in the face of evil in the world. The movie is full of fear and foreboding and betrayal. | Civil Society is the ideal, and worth fighting for. Doing what is right is the right way to live. Don't let the evil bastards win. The theme is expressed repeatedly in the movie via the contrast of the Marshall who grimly faces the need to do what he lives for, despite the death facing him, vs. the mealy mouthed town folk, many of which who won't fight for their civil society, and vs. the deputy marshall who portrays the sellout who will give into evil force in order to "get along". |
| Painter: Peale, Charles Wilson | Staircase Group (aka Portrait of Raphaelle Peale and Titian Ramsay Peale) | Perceiving accurately is important and playing with the artistic medium is fun. | |
| Director: Daldry, Stephen | Billy Elliot | Life is dirty but one can clean up. | Go after what you love. |
| Author: Steinbeck, John | East of Eden | Life is filled with great and important choices. | The battle between good and evil, guilt and innocence. Takes the position that we are influenced by many things, but ultimately we have free will. |