Title |
Creator | Date | Era | City | Country | Emotional Sum (Sense of Life or emotional World View) | Theme | |
|---|---|---|---|---|---|---|---|---|
| King in Khaki, A | Author: Henry Kitchell Webster | 1909 | 1900 - 1950 | United States |
Honesty is a noble and practical way of life. |
Business acumen produces both material wealth and moral right. The success of the entrepreneur in this story, along with his relation to all his staff and secondary and tertiary folks on the island who work for him -- makes him into a "king" based on important human relations and the rightness of his decisions that result in a successful business enterprise. A subsidiary theme might be termed the power of morality over physical power or economic "power". |
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| Johnson Wax Building | Architect: Frank Lloyd Wright | 1939 | 1900 - 1950 | Racine | United States |
Day to day life can be exalted and pleasurable. |
To Work should be a condition of grandeur and joy. |
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| I'll See You Again | Composer: Noel Coward | 1929 | 1900s | Manchester | United Kingdom |
Life is bittersweet |
Sweet memories of love last forever |
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| Hyacinths to feed thy soul | White, James Terry: | 1911c | 1900s | United States |
Hopeful. Even in poverty one can have beauty. |
Beauty is a form of sustenance |
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| Horse Seen from Behind | Draftsman: Andrea Boscoli | 1587c | 1500s | United States |
Not much except perhaps stylistic -- confident, strong drafting style, and a vibrant, alive, horse. |
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| High Noon | Director: Fred Zinnemann | 1952 | 1951-1970 | United States |
There is palpable evil in the world. There is heroism in the face of evil in the world. The movie is full of fear and foreboding and betrayal. |
Civil Society is the ideal, and worth fighting for. Doing what is right is the right way to live. Don't let the evil bastards win. The theme is expressed repeatedly in the movie via the contrast of the Marshall who grimly faces the need to do what he lives for, despite the death facing him, vs. the mealy mouthed town folk, many of which who won't fight for their civil society, and vs. the deputy marshall who portrays the sellout who will give into evil force in order to "get along". |
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| Her Face to the Wind | Painter: William Hosner | 2006 | 2000s | Traverse City, Michigan | United States |
One gets the feeling that the young woman is able to stand strong in the world, with panache and beauty all at once. |
Facing life in a fresh, strong, vivacious way. |
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| Helene Arpels Dress | Designer: Maggy Rouff | 1937 | 1901-1950 | Paris | France |
Elegance and richness of detail |
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| Head of a Bearded Man | Domenichino: | 1625c | 1600s | New York | United States |
Pensive, worried, detached qualities of humanity |
Worry is the way of the world. |
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| Greystoke | Director: Hugh Hudson | 1984 | 1971-1990 | United Kingdom |
Life is Loss -- life is grim and culture is grim and the jungle is grim. All is grim. The other important feature of the film emotionally is that Tarzan has been crippled by his circumstances of being brought up in the jungle -- he cannot live as a man, so the great tragedy of the story is that he has to return to the jungle, which is below primitive -- it is an isolated hell in which death is at every corner, and at best the companionship of apes. Given that the story partly portrays civilized men as brutes who relish killing animals, perhaps the emotional intent is to make the choice to return to the jungle as positive, but for this reviewer it is unutterably tragic and ugly. |
Loss, Loss, Loss. Man as metaphysically alien from human culture. |
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| Green fabric | Designer: Mariano Fortuny | circa 1920 | Italy |
Still produced by the Fortuny fabric company. |
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| Godfather | Director: Coppola Francis Ford | 1972 | 1971-1990 | United States |
Life demands death; life is a horror of killing and retribution. Life is tragedy and malevolence |
Behind beauty and success lies corruption and death. |
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| Flying Fish | Dancers: Torvill and Dean | c.1995 (verify) | 1990-2009 | NY NY | United States |
A heightened sense that Life is fantastically unbounded by daily cares. Life is imbued with unlimited potential and ease of movement. |
Life is light and fluid. |
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| Fireplace and Door | Designer: Wharton Esherick | 1936c. | 1901-2000 | Philadelphia | United States |
Very orderly exuberance, via "explosive" geometry |
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| Ferrari Dino 246 GT | Designer: Enzo Ferrari | 1969 | Italy |
The world is a place of speed and elegance. |
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| Feast of Belshazzar | Painter: Rembrandt Van Rijn | 1635c. | 1600s | London | United Kingdom |
The only way to know the sense of life or world view of the painting is through it's history, since the image is very mixed. Shows an opulent and sumptuous world, but the people are obviously distressed over something. Assuming one knows its history, you could conclude it is an exercise in depicting the dangers of the worldly pursuits and wealth. |
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| Far Country, The | Author: Nevil Shute | 1952 | 1951 - 2000 | Australia |
Life can be bright, happy and successful, but hard decisions must be faced and dealt with. |
A good and happy life is made up of self-directed actions, self-chosen goals. A less important theme is: |
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| Fame | Director: Alan Parker | 1980 | 1971-1990 | New York | United States |
Life is hard, but you can succeed, and it is worth it and exhilarating. |
Go after your heart's desire. |
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| Euphronios Krater aka Sarpedon Krater | Vase Painter: Euphronios | 515 BC | Greece |
Exquisitely beautiful hardship. |
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| Etudes | Choreographer: Harold Lander | 1948 | Pre-1950 Ballet/Dance | New York | United States |
Thrilling pleasure at beautiful movement and great success at developing the best within you. |
Hard work results in great achievement in life -- and that results in beauty and excitement in life. |
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| Enemy Below, The | Director: Dick Powell | 1957 | 1951-1970 | United States |
War is deadly and destructive for all parties. |
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| Eiffel Tower | Designer: Gustave Eiffel | 1889 | Paris | France |
The works of Man are thrilling. |
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| East of Eden | Author: John Steinbeck | 1952 | 1951 - 2000 | United States |
Life is filled with great and important choices. |
The battle between good and evil, guilt and innocence. Takes the position that we are influenced by many things, but ultimately we have free will. |
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| Dirty Dancing | Director: Emile Ardolino | 1987 |
Life is passionate and meaningful. |
The joy and passion of love and life and dancing, while learning integrity and independence. |
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| Die Hard | Director: John McTiernan | 1988 July 15 | United States |
The way to beat evil is to give no quarter, no compromise. Life is hard, but fighting for the right is rewarded. |
Giving up in life is not an option. |
