Title |
Creator | Date | Era | City | Country | Emotional Sum (Sense of Life or emotional World View) | Theme | |
|---|---|---|---|---|---|---|---|---|
| Pirelli Calendar Diver | Photographer: Uwe Ommer | 1984 | Italy |
Women can be strong, dynamic and unconsciously beautiful. |
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| Psyche | Author: Phyllis Brett Young | 1959 | Canada |
Optimistic, Hopeful, even under terrible circumstances. |
We are beings of self-made soul |
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| Rape of Polyxena, The | Sculptor: Pio Fedi | 1866 | 1800s | Florence | Italy |
Strength and complex beauty are central. Vitality, passion and action are hallmarks of this work. |
Life is complex strife, entwined with strong god-like characters. |
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| Rashomon | Director: Akira Kurosawa | 1950 | 1931-1950 | Japan |
The world is terrible and full of disasters and mankind is awful and pathetic. |
Objectivity is a myth -- everyone sees a different reality, a different "story". |
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| Real Adventure, The | Author: Henry Kitchell Webster | 1915 | United States |
Life is wonderful as long as you realize that life has to be earned the hard way. |
Creating your self is the only way to live. |
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| Real Chiesa di San Lorenzo (Royal Church of St. Lawrence) | Architect: Guarino Guarini | 1680 | 1600s | Torino (Turin) | Italy |
The world is perfected. The joy of seeing complexity that is simplicity, i.e., that the rich complex vision arises from simple elements which because of their arrangement provide layers of visual thrills. |
Complex, soaring geometric order. |
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| Rembrandt | Director: Korda Alexander | 1936 | 1931-1950 | United Kingdom |
Life is hard as an independent spirit, and wealth will elude you, but you will be happy, after a fashion. |
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| Repose | Painter: John White Alexander | 1895 | 1900s | New York | United States |
Life is extravagant and lush and sensual. |
Feminine Sensuality is a main theme, though one can argue that a related (equal theme or sub-theme) is: The Lushness of the Material World. The dramatic draped womanly figure pressing against a divan, whose figure is clearly oulined, shares the visual dominance of the painting along with the magnificent sweeps of her dress and the giant pillows, the massive backrest, and even the strong elements of the floor material and the golden back wall. All together a remarkable composition. |
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| Riace Bronze A | Myron?: | c.460 BCE | 500 BCE - 1 CE | Greece |
Man is strong and indomitable |
Intelligence, Pride, Strength = Man |
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| Rob Roy | Director: Michael Caton-Jones | 1995 | 1991-2010 | United Kingdom |
Life is a struggle. The life you make for yourself can be difficult, but living it with strength and morality is the way to live. Happiness is possible in romance. |
Heroism in everyday life leads to heroism writ large. A man works hard to lead his life and those of his extended clan in an honorable, productive, honest way. This is the everyday heroism. But dishonorable, evil men seek to steal from him and ruin him. This leads to a life of larger-than-life heroism to vanquish his mortal, and stronger enemies. |
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| Robie House | Architect: Frank Lloyd Wright | 1910 | 1900 - 1950 | Chicago, Illinois | United States |
The world is open and has sweeping, unending possibilities. |
The essence of a house as shelter, and providing a sense of strength and privacy. That is, a structure that exudes strength through its massive cantilever and massive brick and stone forms, along with its big overhangs sheltering the windows to create a sense of privacy and enclosure, in its urban situation. |
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| Romeo + Juliet | Director: Baz Luhrmann | 1996 | 1991-2010 | United States |
Tragedy is central to life. |
Romantic Love is doomed and we don't control our own lives. |
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| Rose Window - La Sainte-Chapelle (aka The Holy Chapel | Designer: Unknown | 1248 | Paris, Ile de la Cite | France |
The world is open and bright and colorful and gay. |
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| Ruggles of Red Gap | Director: Leo McCarey | 1935 | 1931-1950 | United States |
Happiness and fulfillment is in yourself. |
Personal declaration of independence from servitude |
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| Sainte-Chapelle | Architect: Anonymous | 1248 | Paris, Ile de la Cite | France |
The world is brilliant, light, colorful, orderly. |
The world is brilliant, light, colorful, orderly. |
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| Senso-ju Temple at Asakusa | Hiroshige: | 1840s c | 1800s | Tokyo | Japan |
Pure, simple, quiet tranquility. |
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| Spider Web Narcissi Table Lamp | Designer: Louis Comfort Tiffany | circa 1902 | 1900-1950 | United States |
Richness of form, sumptuous shapes. |
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| Staircase Group (aka Portrait of Raphaelle Peale and Titian Ramsay Peale) | Painter: Charles Wilson Peale | 1795 | Philadelphia | United States |
Perceiving accurately is important and playing with the artistic medium is fun. |
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| System of Architectural Ornament, A | Designer: Louis Henri Sullivan | 1922 | 1900s | Chicago | United States |
The world is a place of infinite, ordered, geometric, fluid possibilities. |
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| Tell No One (aka Ne le dis à personne) | Director: Guillaume Canet | 2006 | 1991-2010 | France |
Life is sad, and controlled by mysterious corruption. |
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| The New Colossus | Author: Emma Lazarus | 1883 | 1800s | New York, NY | United States |
Benevolent celebration of liberty as a beacon to a troubled world. |
A marvelous land of liberty offers welcome to the oppressed of the world. |
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| The Samovar | Painter: Emil Carlsen | 1920c. | 1900s |
The world is full of textural richness worth looking at. |
The richness of light and the objects it caresses. This is a paean to the richness of visual experience, but with the simplest of materials -- just a light source and two kinds of simple unadorned objects. |
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| Three Graces | Sculptor: Antonio Canova | 1814 | 1800s | Italy |
The female human form is beautiful, graceful, ideal. |
Quiet repose and sisterly love. The piece exudes a quiet elegance and peacefulness amidst the complex three-dimensional composition. The inclusion of "sisterly love" is less certain, except that taking into account the mythological background of the piece. It can be argued that one should not take that into account, so perhaps that should not formally be included in the theme. |
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| Trees | Alexander, John: | 1899 | 1900s | Olathe | United States |
A sense of the world as dynamic and strong. |
Nature is wild and dynamic. |
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| Trustee from the Toolroom | Author: Nevil Shute | 1960 | United Kingdom |
A feeling of gentleness, kindness and generosity towards good people in the world. |
The importance of pursuing one's personal values. |
