Title | Creator | Date | Era | City | Country | Emotional Sum (Sense of Life or emotional World View) | Theme | |
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Diana | Sculptor: Saint-Gaudens, Auguste | 1892 | 1900s | New York | United States | Serenity in action. But not a strong world view in any case, quite placid. | ||
Burn Notice | Creator: Nix, Matt | 2007 | Anything can be done if you are smart and motivated enough. | |||||
Eiffel Tower | Designer: Eiffel, Gustave | 1889 | The works of Man are thrilling. | |||||
Pirelli Calendar Diver | Photographer: Ommer, Uwe | 1984 | Women can be strong, dynamic and unconsciously beautiful. | |||||
Rembrandt | Director: Korda Alexander | 1936 | pre-1910 | Life is hard as an independent spirit, and wealth will elude you, but you will be happy, after a fashion. | ||||
Mad Men | Creator: Weiner, Matthew | 2007 | Men must sell their souls in order to live, and they are chauvinist pigs to boot. And women are sluts. Dark. | |||||
Staircase Group (aka Portrait of Raphaelle Peale and Titian Ramsay Peale) | Painter: Peale, Charles Wilson | 1795 | Perceiving accurately is important and playing with the artistic medium is fun. | |||||
Blue Phoenix | Painter: Koyo Omura | 1921 | 1900s | A pleasing and lush, possibly claustrophobic, world. | ||||
Day at the Beach | Painter: Leyendecker, J.C. | 1932 | 1900s | Fun and cuteness. | ||||
Tell No One (aka Ne le dis à personne) | Director: Canet, Guillaume | 2006 | 1991-2010 | Life is sad, and controlled by mysterious corruption. | ||||
Wisdom and Strength | Painter: Veronese, Paolo | 1580c | 1500s | Sumptuousness is good, and the human form is good. | ||||
Feast of Belshazzar | Painter: Van Rijn, Rembrandt | 1635c. | 1600s | The only way to know the sense of life or world view of the painting is through it's history, since the image is very mixed. Shows an opulent and sumptuous world, but the people are obviously distressed over something. Assuming one knows its history, you could conclude it is an exercise in depicting the dangers of the worldly pursuits and wealth. | ||||
Crane Under the Rain | Ohara, Shoson | 1928 | 1900s | Life is difficult. | ||||
Enemy Below, The | Director: Powell, Dick | 1957 | 1951-1970 | War is deadly and destructive for all parties. | ||||
American President | Director: Reiner, Rob | 1995 | 1991-2010 | Romance is fun, funny and important. | ||||
Horse Seen from Behind | Draftsman: Boscoli, Andrea | 1587c | 1500s | Not much except perhaps stylistic -- confident, strong drafting style, and a vibrant, alive, horse. | ||||
Senso-ju Temple at Asakusa | Hiroshige | 1840s c | 1800s | Pure, simple, quiet tranquility. | ||||
Monster, The | Director: Benigni, Roberto | 1994 | 1991-2010 | Just laughter and more of the same. | ||||
System of Architectural Ornament, A | Designer: Sullivan, Louis Henri | 1922 | 1900s | United States | The world is a place of infinite, ordered, geometric, fluid possibilities. | |||
Flying Fish | Dancers: Torvill and Dean | c.1995 (verify) | 1990-2009 | A heightened sense that Life is fantastically unbounded by daily cares. Life is imbued with unlimited potential and ease of movement. | Life is light and fluid. |
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Of Human Bondage | Maugham, W. Somerset | 1915 | 1900 - 1950 | United Kingdom | Life is a fearful gray spread of actions and in-actions without genuine values. We are all deformed in mind or spirit and should accept convention as demanded by those around us. | Man's life is outside his control. Conventionality is the final ideal. |
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Brief Encounter | Screenwriter: Coward, Noel | 1945 | 1931-1950 | United Kingdom | Passionate love. Tragic choices. | High romance is possible. Such love is unlikely to survive. |