Creator | Title | Emotional Sum (Sense of Life or emotional World View) | Theme |
---|---|---|---|
Author: Lazarus, Emma | The New Colossus | Benevolent celebration of liberty as a beacon to a troubled world. | A marvelous land of liberty offers welcome to the oppressed of the world. |
Author: Shute, Nevil | Far Country, The | Life can be bright, happy and successful, but hard decisions must be faced and dealt with. | A good and happy life is made up of self-directed actions, self-chosen goals. A less important theme is: |
Director: Korda Alexander | Rembrandt | Life is hard as an independent spirit, and wealth will elude you, but you will be happy, after a fashion. | |
Painter: Veronese, Paolo | Wisdom and Strength | Sumptuousness is good, and the human form is good. | |
Dancers: Torvill and Dean | Bolero | Harmony, grace exist. | Two people as one. |
Director: Hallstrom, Lasse | Chocolat | Pleasure is good; religion and conventional thinking is bad. | Follow your dream and disregard convention. |
Painter: Ghirlandaio, Domenico | Old Man with a Young Boy | Human companionship or family closeness is real. | Quiet familial love. (A grandfather (perhaps) gazing upon a grandson, and vice versa, in a clear moment of happy communion.) |
Maugham, W. Somerset | Of Human Bondage | Life is a fearful gray spread of actions and in-actions without genuine values. We are all deformed in mind or spirit and should accept convention as demanded by those around us. | Man's life is outside his control. Conventionality is the final ideal. |
Writer: Coward, Noel | Design for Living | Life can be giddy and bright. Facing up to one's anti-conventional values is important. Conventional morality must be questioned if it causes suffering and conflict. |
You should follow your deepest values and accept them no matter how unconventional the outcome. A rare combination of the wittiest, lightest of Noel Coward's style, along with deeper themes of romantic love, proper morality and how should one live. |
Painter: Koyo Omura | Blue Phoenix | A pleasing and lush, possibly claustrophobic, world. | |
Vance, Louis Joseph | Brass Bowl, The | The world is a delightful place. Good things happen to the deserving. | Life as a gay, lighthearted adventure. |
Author: Young, Phyllis Brett | Psyche | Optimistic, Hopeful, even under terrible circumstances. |
We are beings of self-made soul<br> |
Composer: Catalani, Alfredo | Ebben? Ne andrò lontana (aria from La Wally) | Longing is the overall emotional tone of the music. The lyric gives reason to this overall tone. |
Sadness at having to leave forever the place where you were happy once. |
Rodin, Auguste | Shade, The | Life is a gruesome trial. There is no hope. | The world destroys man. (Some unknown evil force is destroying this young strong man.) Given that the sculpture is titled as a "Shade" and is related to the Group sculpture "Gates of Hell", one can presume the evil is some unnamed condition that can overpower life and cause destruction of the good. |
Rand, Ayn | Anthem | The book starts out psychologically dark and disorienting because of the protagonist struggling with the radically collectivist world he was born into. But what shows even in the early pages, and grows to the climax is the triumphant struggle of a rare few who break free of the yoke of total mind control and become free to live a life as a conceptual human and rediscover what it means to be an individual. Thrilling and emotionally satisfying (unless the reader is a committed determinist.) |
Ego and using one's individual mind is the core of being human. |
Designer: Sullivan, Louis Henri | System of Architectural Ornament, A | The world is a place of infinite, ordered, geometric, fluid possibilities. | |
Vase Painter: Euphronios | Euphronios Krater aka Sarpedon Krater | Exquisitely beautiful hardship. | |
Architect: Wright, Frank Lloyd | Robie House | The world is open and has sweeping, unending possibilities. | The essence of a house as shelter, and providing a sense of strength and privacy. That is, a structure that exudes strength through its massive cantilever and massive brick and stone forms, along with its big overhangs sheltering the windows to create a sense of privacy and enclosure, in its urban situation. |
White, James Terry | Hyacinths to feed thy soul | Hopeful. Even in poverty one can have beauty. | Beauty is a form of sustenance |
Director: Murer, Fredi | Vitus | If you have the will, you can find the way to live the way you want. | Living your life your own way is the only right way. |
Architect: Guarini, Guarino | Real Chiesa di San Lorenzo (Royal Church of St. Lawrence) | The world is perfected. The joy of seeing complexity that is simplicity, i.e., that the rich complex vision arises from simple elements which because of their arrangement provide layers of visual thrills. | Complex, soaring geometric order. |
Director and Screenwriter: Curtis, Richard | Love Actually | Romantic love, family love, filial love, and the love of friendship are of central importance to human existence, and are possible to achieve. | Wonderful experiences of love are found in many forms and places. |
Architect: Sullivan, Louis | National Farmers' Bank | Being able to breath freely -- expansively, and feeling that there are no limits to what man can do. | The world is expansively, infinitely rich. |
Designer: Unknown | Rose Window - La Sainte-Chapelle (aka The Holy Chapel | The world is open and bright and colorful and gay. | |
Director: McTiernan, John | Die Hard | The way to beat evil is to give no quarter, no compromise. Life is hard, but fighting for the right is rewarded. | Giving up in life is not an option. |